Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Institution of the Crib at Greccio | Verification of the Stigmata | Decorative band with figures | Flight into Egypt | The Bringing of the Rods to the Temple |
Related Artists:
Giovanni Antonio Canal
(28 October 1697 - 19 April 1768) better known as Canaletto, was a Venetian painter famous for his landscapes, or vedute, of Venice. He was also an important printmaker in etching. He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri. His nephew and pupil Bernardo Bellotto was also an accomplished landscape painter, with a similar painting style, and sometimes used the name "Canaletto" to advance his own career, particularly in countrieseGermany and Polandewhere his uncle was not active.
George Parker Greenwood
painted White Star Liner Adriatic in 1889
John Whetten Ehninger
American Painter, 1827-1889,American painter and illustrator. After graduating from Columbia College, New York, in 1847, he immediately departed for Europe to pursue artistic training. He visited Italy and France, but staying in Germany, specifically D?sseldorf, was his main objective. There he studied with Karl Friedrich Lessing, Carl Ferdinand Sohn and fellow American Emanuel Leutze, and in Paris he was instructed by Thomas Couture. During the early 1850s he travelled between America and Europe but finally settled in New York in 1853 until his move to Saratoga Springs after marrying in 1877. Ehninger exhibited regularly at the National Academy of Design, New York, where he was elected a full member in 1860.